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‘shades of Sarah Waters…irresistible’ – The Guardian‘I would like to make myself the heroine of this story – an innocent victim led astray. But alas sir, I would be lying…’London, 1756: In Newgate prison, Tully Truegood awaits trial. Her fate hanging in the balance, she tells her life-story. It’s a tale that takes her from skivvy in the back streets of London, to conjuror’s assistant, to celebrated courtesan at her stepmother’s Fairy House, the notorious house of ill-repute where decadent excess is a must…Tully was once the talk of the town. Now, with the best seats at Newgate already sold in anticipation of her execution, her only chance of survival is to get her story to the one person who can help her avoid the gallows.She is Tully Truegood.Orphan, whore, magician’s apprentice. Murderer?A compelling mix of bawdy romp and magical realism.’-Sarra Manning, Red magazine

A shattering history of the last hundred years of genocidal war which won the Pulitzer Prize for Non-fiction 2003.‘The United States has never in its history intervened to stop genocide and has in fact rarely even made a point of condemning it as it occurred.’In this convincing and definitive interrogation of the last century of American history and foreign policy, Samantha Power draws upon declassified documents, private papers, unprecedented interviews and her own reporting from the modern killing fields to tell the story of American indifference and American courage in the face of man's inhumanity to man.Tackling the argument that successive US leaders were unaware of genocidal horrors as they were occurring – against Armenians, Jews, Cambodians, Kurds, Rwandans, Bosnians – Samantha Power seeks to establish precisely how much was known and when, and claims that much human misery and tragedy could readily have been averted. It is clear that the failure to intervene was usually caused not by ignorance or impotence, but by considered political inaction. Several heroic figures did work to oppose and expose ethnic cleansing as it took place, but the majority of American politicians chose always to do nothing, as did the American public: Power notes that ‘no US president has ever suffered politically for his indifference to its occurrence. It is thus no coincidence that genocide rages on.’ This riveting book makes a powerful case for why America, as both sole superpower and global citizen, must make such indifference a thing of the past.

Illustrated edition – recommended for viewing on a colour tablet.This book introduces readers to a whole range of military history with all the drama, dangers, horrors and excitement that we associate with Stalingrad or the Somme. Battles are acute moments of history, and through them we can understand how warfare and world history have evolved.Choosing just one hundred battles from recorded human history is a challenge. Not just because it is necessary to cover almost 6,000 years of history, but because men have fought each other almost continuously for millennia. Anyone who knows anything about the history of war may be disappointed at what has had to be left out. However, each of the 100 memorable battles described shows both how the nature of armed combat has changed over human history, and also how, despite changes in technology, organisation or ideas, many things have remained the same.It is an old adage that you can win a battle but lose a war. The battles featured here almost always resulted in victory for one side or another, but the victor did not necessarily win the war. Some battles are decisive in that broader historical sense, others are not. The further back in time, the more likely it is that an enemy could be finished off in one blow. The wars of the modern age, between major states, have involved repeated battles until one side was battered into submission. Some of the great generals of the recent past – Napoleon, Robert E Lee, Erich von Manstein – have been on the losing side but are remembered nonetheless for their generalship.Some on the winning side have all but disappeared from the history books or from public memory. Equally, in many battles, the issue is not victory or defeat, but what the battle can tell us about the history of warfare itself. New weapons, new tactics, new ways of organising armed forces can have a sudden impact on the outcome of a battle. But so too can leadership, or the effects of a clever deception, or raw courage. That is why the book has been divided up into clear themes which apply equally to the battles of the ancient world as they do to the battles of today.As Professor Richard Overy laments: “Battle is not a game to plug into a computer but a piece of living history, messy, bloody and real. That, at least, has not changed in 6,000 years.”

From the author of The Ballad of Trenchmouth Taggart and set in the boom years of the West Virginia coalmining industry, this is an epic story of personal ambition, exile and return, and a grand heist.Keystone, West Virginia, 1910In the hot August rain the townspeople gather to witness the first public hanging in over a decade. At the gallows are none other than poker player, Abe Baach, and his lover, the madam of the town’s brothel, one Goldie Toothman.Abe split town seven years prior and has been playing cards up and down the coast ever since. But when he returns to Keystone to reunite with Goldie and to set the past right, he finds a brother dead and his father's saloon in shambles – and suspects the same men might be responsible for both. Only then, in facing his family's past, does the real swindle begin.

A hilarious and heartbreaking father-son road movie of a novel.Spencer Ludwig, idealist and filmmaker, is making one of his regular duty visits from London to New York City to tend to his declining but still fearsome father. Driving back from one of their doctors' appointments, Spencer decides not to take the turn to his father’s apartment: instead, they hit the road. Ahead of them will be an emotional ride taking in police and prostitutes, film festivals and gambling in Atlantic City, as father and son try to make sense of each other’s lives and hearts, and their own. To reach, Spencer hopes, a suitably cinematic conclusion.

**A gritty and emotional family drama, from the Sunday Times bestseller. Perfect for fans of Nadine Dorries and Katie Flynn.**You can never leave a bad man behind…Mavis Pugh has had a hard life. Despised and abused throughout her teenage years, she turned to the first man who showed her kindness. But her new husband, Alec, quickly revealed himself to be a violent bully.When Mavis escapes from Alec, she thinks the worst is behind her. Moving to a large family house with her two children is more than she ever dreamed of, and when handsome sign-writer Tommy takes an interest in her, she can't believe her luck.But Alec is far from a distant memory and, unbeknown to Mavis, he’s watching her and her happy family closely. Just waiting for the right time to make his next – and final – move…

A compelling portrait of 1960s America that takes as its starting point the brutal events of 11 March 1963, the day on which the lives of three complete strangers – a black handyman, an Italian-American carpenter and a second-generation Jewish housewife – collided in the leafy Boston suburb of Belmont.These three people did not know one another, but, by the end of the day, the housewife had been raped and strangled, the handyman had been arrested on suspicion of being the notorious Boston Strangler, and the real Boston Strangler – carpenter Al DeSalvo – had returned home to his wife and children. It was not until two years later that DeSalvo admitted to the gruesomely violent murders of thirteen women. Also unwittingly drawn into the drama were one-year-old Sebastian Junger's own family, who posed for a photograph with DeSalvo the day after the Belmont strangling, at the completion of his work on their studio.Taking the chilling family snap as his inspiration, Junger explores the worlds of the three protagonists and, in so doing, creates a portrait of America in the 1960s that touches on the historic themes of the era: the assassination of JFK, the rise of the immigrants and the troubling race relations that prefigured the death of Martin Luther King.This new work by Sebastian Junger, the acclaimed author of ‘Perfect Storm’ and ‘Fire’, is as enlightening as it is haunting. Taking as its foundation the events that shocked a quiet community in 1963, ‘A Death in Belmont’ expands to encompass an entire nation at a time of extraordinary social turmoil.

In a country at war, a secret inheritance reveals a dark conspiracy …On a sunlit afternoon in seventeenth-century Dorset, a young girl falls in love with a stranger.But when her Puritan brother tries to force her into an unbearable marriage she flees, taking with her only the gift left to her by her unknown father, a gold pendant sealed by an engraving of an axe, and the words: St Matthew.One of four intricately wrought seals – each holding a secret within – it can, when combined with the other three, bring great wealth and power. This power is her true inheritance – but it’s a perilous legacy others will kill for …

Uncovering the love triangle between Queen Elizabeth I, Robert Dudley, and his wife Amy, and her mysterious death,A Court Affair is an unforgettable story of ambition, lust and jealousy.Accused of conspiring with rebels to steal the throne, Princess Elizabeth is confined to the Tower of London by her half-sister, Queen Mary. There she finds solace in the arms of fellow prisoner – her childhood friend, Robert Dudley. But with Elizabeth’s ascension to the crown, Robert returns to his wife and the unhappy union he believes cheated him of his destiny to be king.As Anne Boleyn’s daughter, Elizabeth knows the cruelty of marriage and roundly rejects her many suitors – with the exception of the power-hungry Robert. But their relationship carries a risk that could shake the very foundations of the House of Tudor. . .A Court Affair is a fascinating portrait of both the rise of Elizabeth I and one of the most compelling periods in history.

Duelling, derring-do, and dastardly deeds are all in a day’s work for Liberty Lane: the plucky heroine for fans of Georgette Heyer and Sarah Waters’s Victorian novels.London. Summer 1839. And the temperature is rising as Liberty Lane takes on her strangest case yet.Deranged aristocrat Lord Brinkburn is nearing death and his elder son, Stephen, is expecting to inherit the title. But Lady Brinkburn's sudden announcement that Stephen is illegitimate throws the family into turmoil. Tensions reach boiling point between the two brothers, one of whom stands to gain everything, and they come to blows in public – much to the amusement of London Society.Liberty is engaged privately to get to the truth of the matter, but a macabre murder raises the stakes considerably…added to which she finds her own judgement being undermined by the beguiling ways of Lady Brinkburn. She is only too aware that time is running out – one of the brothers may be next, but which will it be…?

A brilliant, stylish novel encompassing the robust life of Boston and London, just at the time of greatest resentment and rebellion by the colonists against the British Government, and displaying the remarkably contemporary prejeudice shown by people on both sides.Makepeace Burke, keeper of a tavern on the waterfront in Boston, could no more watch a fellow creature drown than she could stop the wind blowing. But the price she paid for rescuing an English aristocrat after he had been attacked by the mob was high. She might be a supporter of the more reasonable colonists but she had committed an apparently unforgiveable sin. So her inn became deserted, her brother was tarred and feathered, and her respectable fiancee and his family deserted her. When the Patriots turned to burning her home, she knew she had to take the offer of the much despised Englishmen and so, saved by the Navy and accompanied by her remarkable retinue, she sails for London.She marries her Englishman as his second wife but finds that English society does not easily accept uneducated, colonial, ex-tavernkeepers – and the first wife, well connected and refusing to acknowledge a divorce, proves a dirty fighter. But Makepeace, having been chased out of one town by intolerance, is not going to let that happen again. And the reader is rooting for her all the way.Diana Norman has written an unusual, sparkling novel, truly unputdownable – she is an addictive taste.

An anthology of 17th and 18th century travel writing that inspired the hugely popular Aubrey/Maturin series, collected and introduced by Patrick O’Brian, beautifully repackaged to mark the centenary of his birth.Patrick O’Brian has unearthed from obscurity the most dynamic travel writing of the seventeenth and eighteenth century. With his scholarly mind, editor’s eye, and traveller’s heart he brings together a series of thrilling seaward tales.Expertly chosen by O’Brian and prefaced with details that bring these extracts to vivid life, A Book of Voyages is a broad yet intimate portrait of what life was like at sea during a time of discovery.This rare collection sheds a glorious light onto these accounts of seaward adventure. From why eating rats is necessary and how to powder your hair in France to how to truly face fear and distress during a terrifying sea passage, this collection is rich in travellers’ experiences.A Book of Voyages is a unique opportunity to not only accompany an adored nautical author as he digs up one gripping historical treasure after another, but to understand how he was inspired to write the Aubrey Maturin series for which he is so famous.